{"id":1507,"date":"2017-01-23T22:37:28","date_gmt":"2017-01-23T21:37:28","guid":{"rendered":"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1507"},"modified":"2019-03-13T18:23:02","modified_gmt":"2019-03-13T17:23:02","slug":"2016-lx-br-1-2","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1507","title":{"rendered":"2016. (LX) Br. 1&#8211;2"},"content":{"rendered":"<table>\n<tbody>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-001-Dakovic-Milovanovic.pdf\" target=\"_blank\" rel=\"noopener\">Narativi se\u0107anja: Holokaust na ekranima biv\u0161e Jugoslavije<\/a><br \/>\nNevena Dakovi\u0107 i Aleksandra Milovanovi\u0107 (Fakultet dramskih umetnosti Univerziteta u Beogradu)<\/td>\n<td style=\"height: 48px;\">1&#8211;26<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-002-Rafolt.pdf\" target=\"_blank\" rel=\"noopener\">Teologija urote: \u010ditanje Dr\u017ei\u0107evih pisama Cosimu I. i Francescu Mediciju<\/a><br \/>\nLeo Rafolt (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 48px;\">27&#8211;53<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-003-Tomljenovic.pdf\" target=\"_blank\" rel=\"noopener\">S druge strane na\u010dela ugode: Ibsenova <em>Gospo\u0111a s mora<\/em><\/a><br \/>\nAna Tomljenovi\u0107 (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 48px;\">55&#8211;76<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-004-Paulus.pdf\" target=\"_blank\" rel=\"noopener\">Identitet filma na odjavnoj \u0161pici: ekstremni na\u010dini Jasona Bournea<\/a><br \/>\nIrena Paulus (Umjetni\u010dka \u0161kola Franje Lu\u010di\u0107a)<\/td>\n<td style=\"height: 48px;\">77&#8211;100<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-005-Okrugli-stol.pdf\" target=\"_blank\" rel=\"noopener\">Uloga knji\u017eevnosti u suvremenom obrazovanju<\/a><br \/>\nOkrugli stol u organizaciji <em>Umjetnosti rije\u010di<\/em>, Zagreb, 24. velja\u010de 2016.<\/td>\n<td style=\"height: 48px;\">101&#8211;133<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-006-Prikaz-Drama-nakon-Darwina.pdf\" target=\"_blank\" rel=\"noopener\">Drama nakon Darwina ili o svijetu bez redatelja<\/a><br \/>\nPrikaz knjige: Kristen E. Shepherd-Barr, <em>Theatre and Evolution from Ibsen to Beckett<\/em>. New York: Columbia University Press. 2015.<br \/>\nAna Tomljenovi\u0107 (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 96px;\">135&#8211;138<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-007-Prikaz-O-postjugoslavenskim-ratovima-i-knjizevnosti.pdf\" target=\"_blank\" rel=\"noopener\">O postjugoslavenskim ratovima i knji\u017eevnosti<\/a><br \/>\nPrikaz knjige: Boris Previ\u0161i\u0107, <em>Literatur topographiert. Der Balkan und die postjugoslawischen Kriege im Fadenkreuz des Erz\u00e4hlens<\/em>. Berlin: Kadmos. 2014.<br \/>\nMilka Car (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 96px;\">139&#8211;144<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-008-Prikaz-Losa-beskonacnost-hibrida.pdf\" target=\"_blank\" rel=\"noopener\">(Lo\u0161a?) beskona\u010dnost hibrida<\/a><br \/>\nPrikaz knjige: Natalija Zlydneva (ur.), <em>Hibridni oblici u slavenskim kulturama (Gibridnye formy v slavjanskih kul\u2019turah)<\/em>. Moskva: Institut slavjanovedenija RAN, 2014.<br \/>\nDanijela Lugari\u0107 Vukas (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 96px;\">144&#8211;148<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-009-Prikaz-Promisljanje-o-interakciji...-.pdf\" target=\"_blank\" rel=\"noopener\">Promi\u0161ljanje o interakciji knjige, dru\u0161tva i kulture u povijesnoj perspektivi<\/a><br \/>\nPrikaz knjige: David \u0160porer, <em>Uvod u povijest knjige: temelji pristupa<\/em>. Zagreb: Leykam. 2015.<br \/>\nMarijana Tomi\u0107 (Sveu\u010dili\u0161te u Zadru)<\/td>\n<td style=\"height: 72px;\">148&#8211;152<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-010-Prikaz-Teorija-i-praksa-kritickog-razmisljanja.pdf\" target=\"_blank\" rel=\"noopener\">Teorija i praksa kriti\u010dkog razmi\u0161ljanja<\/a><br \/>\nPrikaz knjige: Iva Rosanda \u017digo,<em> (S)misao kritike. Ud\u017ebenik iz podru\u010dja kriti\u010dkog mi\u0161ljenja i akademskog pisanja.<\/em> Koprivnica: Sveu\u010dili\u0161te Sjever. 2015.<br \/>\nLucija Ljubi\u0107 (Sveu\u0161ili\u0161te Josipa Jurja Strossmayera u Osijeku)<\/td>\n<td style=\"height: 96px;\">152&#8211;156<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/01\/UR-2016-1-2-011-Prikaz-Teroijski-povijesni-i-kriticki-prozor...-.pdf\" target=\"_blank\" rel=\"noopener\">Teorijski, povijesni i kriti\u010dki prozor u slo\u017eeni fenomen poetike dje\u010dje knjige<\/a><br \/>\nPrikaz knjige: Marijana Hamer\u0161ak i Dubravka Zima, <em>Uvod u dje\u010dju knji\u017eevnost<\/em>. Zagreb: Leykam international. 2015.<br \/>\nDiana Zalar (U\u010diteljski fakultet Sveu\u010dili\u0161ta u Zagrebu)<\/td>\n<td style=\"height: 96px;\">156&#8211;159<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Narativi se\u0107anja: Holokaust na ekranima biv\u0161e Jugoslavije Nevena Dakovi\u0107 i Aleksandra Milovanovi\u0107 (Fakultet dramskih umetnosti Univerziteta u Beogradu) 1&#8211;26 Teologija urote: \u010ditanje Dr\u017ei\u0107evih pisama Cosimu I. i Francescu Mediciju Leo Rafolt (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu) 27&#8211;53 S druge strane na\u010dela ugode: Ibsenova Gospo\u0111a s mora Ana Tomljenovi\u0107 (Filozofski fakultet Sveu\u010dili\u0161ta u Zagrebu) 55&#8211;76 Identitet [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":228,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1507","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1507"}],"version-history":[{"count":9,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1507\/revisions"}],"predecessor-version":[{"id":1805,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1507\/revisions\/1805"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/228"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}