{"id":1578,"date":"2017-06-22T13:59:57","date_gmt":"2017-06-22T12:59:57","guid":{"rendered":"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1578"},"modified":"2018-07-09T07:20:25","modified_gmt":"2018-07-09T06:20:25","slug":"2016-lx-br-3-4","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1578","title":{"rendered":"2016. (LX) Br. 3–4 Engleski broj"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n
M. Bulgakov, A. Akhmatova and N. Gumilev as Literary Characters in Contemporary Russian Fantastic Fiction<\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nLarisa Fialkova (University of Haifa)<\/td>\n		161-195<\/td>\n<\/tr>\n
Comedia ranchera<\/em>: A Reactionary Genre of Mexican Cinema<\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nMario \u017dupanovi\u0107 (Sveu\u010dili\u0161te u Zadru)<\/td>\n		197-208<\/td>\n<\/tr>\n
Travelling without Moving in Postmodernist (Road) Movies by Jim Jarmusch<\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nAndrea Ro\u017ei\u0107 (Sveu\u010dlili\u0161te u Zagrebu)<\/td>\n		209-229<\/td>\n<\/tr>\n
The Representation of Minorities in Contemporary Croatian Film<\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nKrunoslav Lu\u010di\u0107 (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n		231-260<\/td>\n<\/tr>\n
From Rationalism to Realism in The Wire<\/em><\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nMatija Jela\u010da (Sveu\u010dili\u0161te Jurja Dobrile u Puli)<\/td>\n		261-290<\/td>\n<\/tr>\n
Going Home: Narrating Maturity and Safety in Lorraine Hansberry\u2019s A Raisin in the Sun<\/em> and Nick Hornby\u2019s How to Be Good<\/em><\/a>
\n\u010clanak i sa\u017eetak na engleskom.
\nLjubica Matek i Jasna Poljak Rehlicki (Sveu\u010dili\u0161te Josipa Jurja Strossmayera u Osijeku)<\/td>\n		291-306<\/td>\n<\/tr>\n
How to Write about Literature as a Universal Phenomenon: A Recapitulation<\/a>
\nBo Pettersson, How Literary Worlds are Shaped: A Comparative Poetics of Literary Imagination<\/em>,
\nBerlin and Boston: De Gruyter, 2016.
\nPrikaz knjige na engleskom.
\nLjubica Matek (Sveu\u010dili\u0161te Josipa Jurja Strossmayera u Osijeku)<\/td>\n		307-309<\/td>\n<\/tr>\n
An Invitation to Intellectual Cooperation on Trans\/National Work in Progress<\/a>
\nDoris Bachmann-Medick, ur., The Trans\/National Study of Culture: A Translational Perspective<\/em>, Berlin and Boston: De Gruyter, 2016.
\nPrikaz knjige na engleskom.
\nIva Polak (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n		309-315<\/td>\n<\/tr>\n
De-centering Krle\u017ea\u2019s Oeuvre<\/a>
\nPredrag Brebanovi\u0107, Avangarda krle\u017eiana, pismo ne o avangardi<\/em>, Zagreb: Naklada Jesenski i
\nTurk i Arkzin, 2016.
\nPrikaz knjige na engleskom.
\nLada \u010cale Feldman (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n		315-318<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

M. Bulgakov, A. Akhmatova and N. Gumilev as Literary Characters in Contemporary Russian Fantastic Fiction \u010clanak i sa\u017eetak na engleskom. Larisa Fialkova (University of Haifa) 161-195 Comedia ranchera: A Reactionary Genre of Mexican Cinema \u010clanak i sa\u017eetak na engleskom. Mario \u017dupanovi\u0107 (Sveu\u010dili\u0161te u Zadru) 197-208 Travelling without Moving in Postmodernist (Road) Movies by Jim Jarmusch […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":228,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1578","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1578"}],"version-history":[{"count":6,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1578\/revisions"}],"predecessor-version":[{"id":1758,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1578\/revisions\/1758"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/228"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}