{"id":1581,"date":"2017-06-22T13:59:57","date_gmt":"2017-06-22T12:59:57","guid":{"rendered":"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1581&#038;lang=en"},"modified":"2017-07-06T18:28:00","modified_gmt":"2017-07-06T17:28:00","slug":"2016-lx-br-3-4","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1581&lang=en","title":{"rendered":"2016 (LX) No. 3&#8211;4"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-001-Larisa-Fialkova-za-web.pdf\" target=\"_blank\" rel=\"noopener\">M. Bulgakov, A. Akhmatova and N. Gumilev as Literary Characters in Contemporary Russian Fantastic Fiction<\/a><br \/>\n Larisa Fialkova (University of Haifa)<\/td>\n<td>161-195<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-002-Mario-Zupanovic-za-web.pdf\" target=\"_blank\" rel=\"noopener\"><em>Comedia ranchera<\/em>: A Reactionary Genre of Mexican Cinema<\/a><br \/>\n Mario \u017dupanovi\u0107 (University of Zadar)<\/td>\n<td>197-208<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-003-Andrea-Rozic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Travelling without Moving in Postmodernist (Road) Movies by Jim Jarmusch<\/a><br \/>\n Andrea Ro\u017ei\u0107 (University of Zagreb)<\/td>\n<td>209-229<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-004-Krunoslav-Lucic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">The Representation of Minorities in Contemporary Croatian Film<\/a><br \/>\n Krunoslav Lu\u010di\u0107 (University of Zagreb)<\/td>\n<td>231-260<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/07\/UR-2016-3-4-005-Matija-Jelaca-za-web.pdf\" target=\"_blank\" rel=\"noopener\">From Rationalism to Realism in <em>The Wire<\/em><\/a><br \/>\n Matija Jela\u010da (Juraj Dobrila University of Pula)<\/td>\n<td>261-290<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-006-LJ.-Matek-\u2013-J.-Polak-Rehlicki-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Going Home: Narrating Maturity and Safety in Lorraine Hansberry\u2019s <em>A Raisin in the Sun<\/em> and Nick Hornby\u2019s <em>How to Be Good<\/em><\/a><br \/>\n Ljubica Matek and Jasna Poljak Rehlicki (Josip Juraj Strossmayer University of Osijek)<\/td>\n<td>291-306<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-007-Prikaz-Ljubica-Matek-za-web.pdf\" target=\"_blank\" rel=\"noopener\">How to Write about Literature as a Universal Phenomenon: A Recapitulation<\/a> (book review)<br \/>\n Bo Pettersson, <em>How Literary Worlds are Shaped: A Comparative Poetics of Literary Imagination<\/em>,<br \/>\n Berlin and Boston: De Gruyter, 2016.<br \/>\n Ljubica Matek (Josip Juraj Strossmayer University of Osijek)<\/td>\n<td>307-309<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-008-Prikaz-Iva-Polak-za-web.pdf\" target=\"_blank\" rel=\"noopener\">An Invitation to Intellectual Cooperation on Trans\/National Work in Progress<\/a> (book review)<br \/>\n Doris Bachmann-Medick, ed., <em>The Trans\/National Study of Culture: A Translational Perspective<\/em>, Berlin and Boston: De Gruyter, 2016.<br \/>\n Iva Polak (University of Zagreb)<\/td>\n<td>309-315<\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2017\/06\/UR-2016-3-4-009-Prikaz-Lada-Cale-Feldman-za-web.pdf\" target=\"_blank\" rel=\"noopener\">De-centering Krle\u017ea\u2019s Oeuvre<\/a> (book review)<br \/>\n Predrag Brebanovi\u0107, <em>Avangarda krle\u017eiana, pismo ne o avangardi<\/em>, Zagreb: Naklada Jesenski i<br \/>\n Turk i Arkzin, 2016.<br \/>\n Lada \u010cale Feldman (University of Zagreb)<\/td>\n<td>315-318<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>M. Bulgakov, A. Akhmatova and N. Gumilev as Literary Characters in Contemporary Russian Fantastic Fiction Larisa Fialkova (University of Haifa) 161-195 Comedia ranchera: A Reactionary Genre of Mexican Cinema Mario \u017dupanovi\u0107 (University of Zadar) 197-208 Travelling without Moving in Postmodernist (Road) Movies by Jim Jarmusch Andrea Ro\u017ei\u0107 (University of Zagreb) 209-229 The Representation of Minorities [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":490,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1581","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1581"}],"version-history":[{"count":5,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1581\/revisions"}],"predecessor-version":[{"id":1607,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1581\/revisions\/1607"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/490"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}