{"id":1792,"date":"2019-03-13T18:09:24","date_gmt":"2019-03-13T17:09:24","guid":{"rendered":"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1792&#038;lang=en"},"modified":"2019-03-13T18:13:07","modified_gmt":"2019-03-13T17:13:07","slug":"2018-lxii-br-2","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=1792&lang=en","title":{"rendered":"2018 (LXII) No. 2"},"content":{"rendered":"<table style=\"border-collapse: collapse; width: 100%; height: 294px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 42px;\">\n<td style=\"width: 84.24%; height: 42px;\">&#8220;<a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-001-Brebanovic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Novel or Nothing&#8221;: Lionel Trilling and the Theory of the Novel<\/a> <br \/>\n(Article in Serbian, abstract in English)<br \/>\nPredrag Brebanovi\u0107 (Faculty of Philology, University of Belgrade)<\/td>\n<td style=\"width: 15.76%; height: 42px;\">127-148<\/td>\n<\/tr>\n<tr style=\"height: 42px;\">\n<td style=\"width: 84.24%; height: 42px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-002-Brajovic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Arsen Toplak, a Paradoxal Adventurer (Kamov&#8217;s The Dried up Mire and the Genre of Bildungsroman)<\/a><br \/>\n(Article in Serbian, abstract in English)<br \/>\nTihomir Brajovi\u0107 (Faculty of Philology, University of Belgrade)<\/td>\n<td style=\"width: 15.76%; height: 42px;\">149-178<\/td>\n<\/tr>\n<tr style=\"height: 42px;\">\n<td style=\"width: 84.24%; height: 42px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-003-Solak-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Distinctive Features of Andri\u0107&#8217;s &#8220;zar&#8221; Sentences<\/a><br \/>\n(Article in Serbian, abstract in English)<br \/>\nZdravko \u0160olak (Novi Sad School of Business)<\/td>\n<td style=\"width: 15.76%; height: 42px;\">179-207<\/td>\n<\/tr>\n<tr style=\"height: 63px;\">\n<td style=\"width: 84.24%; height: 63px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-004-Badurina-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Fear and Fantastic Imagery as a Political Device in the Italian Memory of the Istrian Exodus<\/a><br \/>\n(Article in Croatian, abstract in English)<br \/>\nNatka Badurina (Department of Languages and Literatures, Communication, Education and Society, University of Udine)<\/td>\n<td style=\"width: 15.76%; height: 63px;\">209-230<\/td>\n<\/tr>\n<tr style=\"height: 42px;\">\n<td style=\"width: 84.24%; height: 42px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-005-Kapetanovic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Naracija i kajkav\u0161tina u filmu <em>Selja\u010dka buna 1573.<\/em> Vatroslava Mimice<\/a><br \/>\n(Article in Croatian, abstract in English)<br \/>\nAmir Kapetanovi\u0107 (Institute of Croatian Language and Linguistics, Zagreb)<\/td>\n<td style=\"width: 15.76%; height: 42px;\">231-248<\/td>\n<\/tr>\n<tr style=\"height: 21px;\">\n<td style=\"width: 84.24%; height: 21px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-006-Okrugli-stol-za-web.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Competitive&#8221; Projects and Studies in the Humanities<\/a><br \/>\nRound table organised by <em>The Art of Words<\/em>, Zagreb, 8 Nov 2018<\/td>\n<td style=\"width: 15.76%; height: 21px;\">249-280<\/td>\n<\/tr>\n<tr style=\"height: 21px;\">\n<td style=\"width: 84.24%; height: 21px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-007-Prikaz-01-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Slavic Brothers between Philia, Phobia and Oblivion<\/a><br \/>\n(Book review in Croatian)<br \/>\nPrikaz knjige: Ivana Peru\u0161ko Vindakijevi\u0107,<em> Od Oktobra do otpora: Mit o sovjetsko-jugoslavenskom bratstvu u Hrvatskoj i Rusiji kroz knji\u017eevnost, karikaturu i film (1917.-1991.)<\/em>. Zagreb: Fraktura. 2018.<br \/>\n\u017diva Ben\u010di (University of Zagreb)<\/td>\n<td style=\"width: 15.76%; height: 21px;\">281-286<\/td>\n<\/tr>\n<tr style=\"height: 21px;\">\n<td style=\"width: 84.24%; height: 21px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2019\/03\/UR-2018-2-008-Prikaz-02-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Casting Fresh Light on Old Masters<\/a><br \/>\n(Book review in Croatian)<br \/>\nPrikaz knjige: Tomislav Bogdan, <em>Prva svitlost. Studije o hrvatskoj renesansnoj knji\u017eevnosti<\/em>. Zagreb: Matica hrvatska. 2017.<br \/>\nBratislav Lu\u010din (Marulianum, Split)<\/td>\n<td style=\"width: 15.76%; height: 21px;\">287-292<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Novel or Nothing&#8221;: Lionel Trilling and the Theory of the Novel (Article in Serbian, abstract in English) Predrag Brebanovi\u0107 (Faculty of Philology, University of Belgrade) 127-148 Arsen Toplak, a Paradoxal Adventurer (Kamov&#8217;s The Dried up Mire and the Genre of Bildungsroman) (Article in Serbian, abstract in English) Tihomir Brajovi\u0107 (Faculty of Philology, University of Belgrade) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":490,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1792","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1792"}],"version-history":[{"count":3,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1792\/revisions"}],"predecessor-version":[{"id":1796,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/1792\/revisions\/1796"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/490"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}