{"id":2112,"date":"2022-02-22T17:07:39","date_gmt":"2022-02-22T16:07:39","guid":{"rendered":"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=2112&#038;lang=en"},"modified":"2022-07-30T12:07:34","modified_gmt":"2022-07-30T11:07:34","slug":"2021-lxv-3-4","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=2112&lang=en","title":{"rendered":"2021 (LXV) No. 3&#8211;4"},"content":{"rendered":"<table style=\"border-collapse: collapse; width: 100%; height: 360px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 72px;\">\n<td style=\"width: 86.64%; height: 72px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-01-Glavan-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Jason and the Greek Epic Hero in Light of Archetypal Criticism<\/a> <br \/>\nMaria Mariola Glavan (University of Zadar)<\/td>\n<td style=\"width: 13.36%; height: 72px;\">133-151<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 86.64%; height: 72px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-02-Borjan-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Trauma and Memory in Post-Yugoslav Cinema<\/a><br \/>\nEtami Borjan (University of Zagreb)<\/td>\n<td style=\"width: 13.36%; height: 72px;\">153-179<\/td>\n<\/tr>\n<tr style=\"height: 120px;\">\n<td style=\"width: 86.64%; height: 120px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-03-Kovtun-\u2013-Klimovich-za-wb.pdf\" target=\"_blank\" rel=\"noopener\">\u201cThe Naked Person&#8221; and &#8220;The Unbearable World&#8221;: Variations of Exodus (Based on Early Prose by A. I. Solzhenitsyn)<\/a><br \/>\nNatalia Kovtun (Krasnoyarsk State Pedagogical University named after V.P. Astafyev)<br \/>\nNatalya Klimovich (Siberian Federal University)<\/td>\n<td style=\"width: 13.36%; height: 120px;\">181-205<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 86.64%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-04-Szab\u00f3-za-web.pdf\" target=\"_blank\" rel=\"noopener\">The Transformation of Three Dostoevsky Themes in Lydmila Ulitskaya&#8217;s Oeuvre<\/a><br \/>\nT\u00fcnde Szab\u00f3 (University of P\u00e9cs)<\/td>\n<td style=\"width: 13.36%; height: 24px;\">207-227<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 86.64%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-05-Petkovic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">The Visionary from Wackyland: Bob Clampett&#8217;s Early Films<\/a><br \/>\nRajko Petkovi\u0107 (University of Zadar)<\/td>\n<td style=\"width: 13.36%; height: 24px;\">229-253<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 86.64%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-06-Roundtable-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Dostoevsky in the Twenty-First Century<\/a><br \/>\nDigital round-table organised by <em>Umjetnost rije\u010di<\/em><\/td>\n<td style=\"width: 13.36%; height: 24px;\">255-276<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 86.64%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2022\/02\/UR-2021-3-4-07-Book-review-za-web.pdf\" target=\"_blank\" rel=\"noopener\">On Milan Kundera &#8212; In a Problematic Manner<\/a><br \/>\nBook review: Jan Nov\u00e1k. <em>Kundera: \u010cesk\u00fd \u017eivot a doba<\/em>. Praha:Argo &amp; Paseka, 2020.<br \/>\nMatija Iva\u010di\u0107 (University of Zagreb)<\/td>\n<td style=\"width: 13.36%; height: 24px;\">277-282<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Jason and the Greek Epic Hero in Light of Archetypal Criticism Maria Mariola Glavan (University of Zadar) 133-151 Trauma and Memory in Post-Yugoslav Cinema Etami Borjan (University of Zagreb) 153-179 \u201cThe Naked Person&#8221; and &#8220;The Unbearable World&#8221;: Variations of Exodus (Based on Early Prose by A. I. Solzhenitsyn) Natalia Kovtun (Krasnoyarsk State Pedagogical University named [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":490,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2112","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2112"}],"version-history":[{"count":5,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2112\/revisions"}],"predecessor-version":[{"id":2189,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/2112\/revisions\/2189"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/490"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}