{"id":3257,"date":"2026-07-09T11:56:25","date_gmt":"2026-07-09T10:56:25","guid":{"rendered":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=3257"},"modified":"2026-07-09T11:56:25","modified_gmt":"2026-07-09T10:56:25","slug":"2026-lxx","status":"publish","type":"page","link":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/?page_id=3257","title":{"rendered":"2026. (LXX)"},"content":{"rendered":"<table style=\"border-collapse: collapse; width: 100%; height: 336px;\">\n<tbody>\n<tr style=\"height: 72px;\">\n<td style=\"width: 88.08%; height: 72px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/01-UR-2026-01-Kuvac-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Simbolika apokalipse kao figuracija trauma i dio antiratnog anga\u017emana na primjerima hrvatskog romana XXI. stolje\u0107a<\/a><br \/>\nKornelija Kuva\u010d (Sveu\u010dili\u0161te u Zadru)<\/td>\n<td style=\"width: 11.92%; height: 72px;\">1-26.<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"width: 88.08%; height: 72px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/02-UR-2026-01-Magerski-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Joseph Roth kao novinar i novelist u Berlinu izme\u0111u dvaju svjetskih ratova. \u201cBerlinska slikovnica\u201d<\/a><br \/>\n(\u201cBerliner Bilderbuch\u201d) (1926) i <em>Bogata ku\u0107a preko puta<\/em> (<em>Das reiche Haus gegen\u00fcber<\/em>) (1928)<br \/>\nChristine Magerski (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n<td style=\"width: 11.92%; height: 72px;\">27-50.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/03-UR-2026-01-OMalley-za-web.pdf\" target=\"_blank\" rel=\"noopener\">An \u201cObligation to Duty\u201d: Seamus Heaney and Field Day<\/a><br \/>\nAidan O&#8217;Malley (University of Rijeka)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">51-70.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\">Tematski blok: <a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/04-UR-2026-01-Jukic-Cvek-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Ninety Years of Anglo-American Literary Studies in Zagreb<\/a><br \/>\nTatjana Juki\u0107 (Sveu\u010dili\u0161te u Zagrebu) i Sven Cvek (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">71<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/05-UR-2026-01-Muller-Wood-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Fictional Self-Theorising across Literary History<\/a><br \/>\nAnja M\u00fcller-Wood (Johannes Gutenberg University of Mainz)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">73-90.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/06-UR-2026-01-Jukic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Dramatic Monologue and the Function of Criticism<\/a><br \/>\nTatjana Juki\u0107 (University of Zagreb)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">91-107.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/07-UR-2026-01-Knezevic-za-web.pdf\" target=\"_blank\" rel=\"noopener\">Revisiting Matthew Arnold\u2019s Notion of Criticism<\/a><br \/>\nBorislav Kne\u017eevi\u0107 (University of Zagreb)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">109-136.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/08-UR-2026-01-Burcar-za-web.pdf\" target=\"_blank\" rel=\"noopener\">The Journey of McKay\u2019s Proletarian Sonnet and Its Cultural Network: From New York via London and Vienna to Ljubljana<\/a><br \/>\nLilijana Burcar (University of Ljubljana)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">137-168.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/09-UR-2026-01-Cvek-za-web.pdf\" target=\"_blank\" rel=\"noopener\">On the Post-Socialist Utopianism of Liu Cixin<\/a><br \/>\nSven Cvek (University of Zagreb)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">168-187.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"width: 88.08%; height: 24px;\"><a href=\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2026\/07\/10-UR-2026-01-In-memoriam-za-web.pdf\" target=\"_blank\" rel=\"noopener\">In memoriam: Willem G. Weststeijn (1943\u20132026)<\/a><br \/>\nJosip U\u017earevi\u0107 (Sveu\u010dili\u0161te u Zagrebu)<\/td>\n<td style=\"width: 11.92%; height: 24px;\">189-194.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Simbolika apokalipse kao figuracija trauma i dio antiratnog anga\u017emana na primjerima hrvatskog romana XXI. stolje\u0107a Kornelija Kuva\u010d (Sveu\u010dili\u0161te u Zadru) 1-26. Joseph Roth kao novinar i novelist u Berlinu izme\u0111u dvaju svjetskih ratova. \u201cBerlinska slikovnica\u201d (\u201cBerliner Bilderbuch\u201d) (1926) i Bogata ku\u0107a preko puta (Das reiche Haus gegen\u00fcber) (1928) Christine Magerski (Sveu\u010dili\u0161te u Zagrebu) 27-50. An [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":228,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3257","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/3257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3257"}],"version-history":[{"count":1,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/3257\/revisions"}],"predecessor-version":[{"id":3258,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/3257\/revisions\/3258"}],"up":[{"embeddable":true,"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/pages\/228"}],"wp:attachment":[{"href":"https:\/\/umjetnostrijeci.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}