\nManuscripts are sent via e-mail in .doc, .docx, .rtf, or .odt format to the Editorial Board<\/a>.<\/span>
\nThe journal accepts research papers, review papers and book reviews. Published manuscripts and manuscripts submitted elsewhere are not accepted. Authors are responsible for obtaining permission to republish or reproduce copyrighted material.
\n<\/span>
\nManuscript preparation<\/strong><\/span>
\nResearch and review papers should include the following:<\/span><\/p>\n
- \n
- Author’s full name, address, affiliation, and e-mail;<\/span><\/li>\n
- Abstract and key words in English;<\/span><\/li>\n
- Abstract and key words in Croatian (for non-Croatian speakers, translation will be provided by the Editorial Board);
\n<\/span><\/li>\n- Text and works cited formatted pursuant to the guidelines below.<\/span><\/li>\n<\/ul>\n
Book reviews should include the following:<\/span><\/p>\n
- \n
- Author\u2019s full name, address, affiliation, and e-mail;<\/span><\/li>\n
- Book review
\n<\/span><\/li>\n<\/ul>\nSize limitation
\n<\/b>Research and review papers should be between 9,000-12,000 words, including abstract, works cited and appendices. Abstract should not exceed 500 words. Book reviews should not exceed 3,000 words.
\n<\/span><\/p>\nFont style and line spacing
\n<\/b>Font is Times New Roman. Paper title is 14 pt. Manuscript is 12 pt. Block quotations (quotations above 3 lines) are 11 pt. Footnotes and texts accompanying illustrations are 10 pt. Spacing is 1.5.
\n<\/span><\/p>\nIn-text citations:
\n<\/strong><\/span><\/p>\n- \n
- Quotations above 3 lines are placed in a free-standing block of text indented 1cm from the left margin. Free-standing quotations are written without quotation marks;<\/span><\/li>\n
- Use double quotation marks (\u201c\u00a0 \u201d) for general quotations, and single quotation marks (\u2018\u00a0 \u2019) for quotations within quotations;<\/span><\/li>\n
- Footnotes are used only for additional explanations;\u00a0
\n<\/span><\/li>\n- Source (author \u2013 pub. year \u2013 page no.) is provided in parentheses (Flaker 1988: 199); if quoting more sources by the same author published in the same year, parentheses contain the following information: (Fali\u0161evac 2007a: 201);<\/span><\/li>\n
- If citing a work by two authors, last names of both authors are provided in parentheses; if citing a work by multiple authors, last name of the first author followed by \u201cet al.\u201d is provided in parentheses;<\/span><\/li>\n
- If citing web publications, year (if available) or last name of the author is provided in parentheses; if author’s name is unavailable, the title of the text is provided in parentheses;<\/span><\/li>\n
- If citing an e-book (no pagination available), last name of the author is provided in parentheses.<\/span><\/li>\n
- For indirect quotations, parentheses must contain the source consulted (qtd. in Flaker 1988: 199);<\/span><\/li>\n
- Instead of “ibid.”, repeat page number in parentheses;<\/span><\/span><\/li>\n
- For a range of page numbers, use\u00a0 the en-dash instead of the hyphen;<\/span><\/li>\n
- Italic is used for: a) book, journal, film, play and performance titles, and titles for musical works;
\nb) words in languages other than the language of the manuscript; c) non-standard words; and
\nd) emphasis (do not use bold for emphasis); <\/span>if emphasis is added to a quotation, include \u201cemphasis mine\u201d in parentheses.<\/span><\/li>\n<\/ul>\nNB: <\/strong>Citations from non-English sources should be translated into English. Translations may either be published or provided by the author. The latter should be indicated with \u201ctrans. mine\u201d in parentheses. If the author decides not to use a published English translation, the reason for this should be explained in a footnote.
\n<\/span><\/p>\nWorks cited<\/strong><\/span>
\nBooks:<\/strong><\/span>
\nFlaker, Aleksandar. 1988. Nomadi ljepote. <\/i>Zagreb: <\/i>Grafi\u010dki zavod Hrvatske.<\/span><\/p>\nArticle in a journal:<\/strong><\/span>
\nDolezel, Lubom\u00edr. 1998. \u201cPossible Worlds of Fiction and History\u201d. In: New Literary History <\/i>29, 4: 785–809.<\/span><\/p>\nWork in an anthology or a collection:<\/strong><\/span>
\nBloom, Harold. 1982. \u201cClinamen<\/i>: Towards a Theory of Fantasy\u201d. In: Bridges to Fantasy<\/i>. <\/i>Eds. <\/i>George E. Slusser, Eric S. Rabkin and Robert Scholes. Carbondale\/Edwardsville: Southern Illinois University Press: 1–20.
\n<\/span>
\nMultiple authors:<\/strong><\/span>
\nDeleuze, Gilles and F\u00e9lix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia<\/i>. Trans. Brian Massumi. Minneapolis\/London: University of Minnesota Press.<\/span><\/p>\nMultiple books by the same author in the same publication year:
\n<\/strong>Fali\u0161evac, Dunja. 2007a. Dubrovnik \u2013 otvoreni i zatvoreni grad. Studije o dubrova\u010dkoj knji\u017eevnoj kulturi<\/i>. Zagreb: Naklada Ljevak.<\/span>
\nFali\u0161evac, Dunja. 2007b. Stari pisci hrvatski i njihove poetike<\/i>. Zagreb: Hrvatska sveu\u010dili\u0161na naklada.<\/span><\/p>\nFilms:<\/strong><\/span>
\nAmarcord<\/i>. Dir. Federico Fellini. F.C. PRODUCTION (ROME) P.E.C.F. (PARIS). 1973. DVD.<\/span><\/p>\nWeb sources: <\/strong><\/span>Author’s name available
\n<\/strong>Natoli, Joseph. 2012. \u201cThe Artist<\/i>: Mystification Beyond Artistry\u201c. In: Senses of Cinema<\/i> 62. Web. 15 Feb 2013.<\/span>
\nWeb sources: Author’s name unavailable
\n<\/strong>\u201cFate of Leichhardt and Hume Expedition\u201d. 1880. In: The Sydney Morning Herald<\/i>. 3 Feb 1880. Trove Digitised Newspaper and More. Web. 15. Feb 2014.
\nElectronic books (EPUB, Kindle, PDF):<\/strong>
\nBould, Mark. 2021. The Anthropocene Unconscious: Climate Catastrophe Culture<\/em>. London\/New York: Verso. Kindle.<\/p>\n<\/span><\/p>\n
\nPEER REVIEW PROCESS<\/strong><\/span>
\nManuscripts not meeting the above formatting requirements shall not be considered. Information about acceptance, classification and possible revision of manuscript based on\u00a0 a double-blind peer review <\/strong>DOUBLE BLIND PEER REVIEW are sent via e-mail to the author within 40 days from the receipt of the manuscript.
\nThe Editorial Board reserves the right to retract manuscripts not within the scope of the journal before double blind peer review process, and those manuscript that constitute bad academic practice (plagiarism, unethical research, etc.) pursuant to the Cope retraction guidelines<\/a>.
\nThe period from submission to publication is between four and six months.
\n<\/span><\/p>\n
\nMANUSCRIPT HANDLING FEES
\n<\/strong>The journal does not charge APCs, submission and\/or manuscript handling fees.
\n<\/span><\/p>\n
\nCOPYRIGHT
\n![\"\"](\"http:\/\/umjetnostrijeci.ffzg.unizg.hr\/wp-content\/uploads\/2021\/02\/88x31-1.png\")
\n<\/strong><\/span><\/p>\nThe journal retains copyright and publishing rights for all published contributions. However, authors may republish their work in another publication they author (e.g., a book chapter). Papers or excerpts published in The Art of Words<\/em> may be used free of charge for all purposes, provided that the publisher and author rights are respected and properly credited. Published papers will be legally available for use without requiring author permission or fees. This license permits free, non-commercial use of any paper with appropriate citation of the author(s) and the original source of publication. These terms align with the CC BY-NC-ND 4.0<\/strong> license (Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License<\/a>).<\/span><\/p>\n
\n - Use double quotation marks (\u201c\u00a0 \u201d) for general quotations, and single quotation marks (\u2018\u00a0 \u2019) for quotations within quotations;<\/span><\/li>\n
- Book review
- Abstract and key words in English;<\/span><\/li>\n