| M. Bulgakov, A. Akhmatova and N. Gumilev as Literary Characters in Contemporary Russian Fantastic Fiction Larisa Fialkova (University of Haifa) |
161-195 |
| Comedia ranchera: A Reactionary Genre of Mexican Cinema Mario Županović (University of Zadar) |
197-208 |
| Travelling without Moving in Postmodernist (Road) Movies by Jim Jarmusch Andrea Rožić (University of Zagreb) |
209-229 |
| The Representation of Minorities in Contemporary Croatian Film Krunoslav Lučić (University of Zagreb) |
231-260 |
| From Rationalism to Realism in The Wire Matija Jelača (Juraj Dobrila University of Pula) |
261-290 |
| Going Home: Narrating Maturity and Safety in Lorraine Hansberry’s A Raisin in the Sun and Nick Hornby’s How to Be Good Ljubica Matek and Jasna Poljak Rehlicki (Josip Juraj Strossmayer University of Osijek) |
291-306 |
| How to Write about Literature as a Universal Phenomenon: A Recapitulation (book review) Bo Pettersson, How Literary Worlds are Shaped: A Comparative Poetics of Literary Imagination, Berlin and Boston: De Gruyter, 2016. Ljubica Matek (Josip Juraj Strossmayer University of Osijek) |
307-309 |
| An Invitation to Intellectual Cooperation on Trans/National Work in Progress (book review) Doris Bachmann-Medick, ed., The Trans/National Study of Culture: A Translational Perspective, Berlin and Boston: De Gruyter, 2016. Iva Polak (University of Zagreb) |
309-315 |
| De-centering Krleža’s Oeuvre (book review) Predrag Brebanović, Avangarda krležiana, pismo ne o avangardi, Zagreb: Naklada Jesenski i Turk i Arkzin, 2016. Lada Čale Feldman (University of Zagreb) |
315-318 |
The Art of Words
Croatian Journal of Literary, Theatre and Film Studies
