| The Symbolism of the Apocalypse as a Representation of Trauma and Form of Anti-War Engagement in the Twenty-First-Century Croatian Novel (Article in Croatian, abstract in Croatian and English) Kornelija Kuvač (University of Zadar) |
1-26 |
| Joseph Roth as a Journalist and Novella Writer in Berlin between the Two World Wars. “Berlin Picture Book” (“Berliner Bilderbuch”) (1926) and The Rich House across the Street (Das reiche Haus gegenüber) (1928) (Article in Croatian, abstract in Croatian and English) Christine Magerski (University of Zagreb) |
27-50 |
| An “Obligation to Duty”: Seamus Heaney and Field Day (Article in English, abstract in Croatian and English) Aidan O’Malley (University of Rijeka) |
51-70 |
| Ninety Years of Anglo-American Literary Studies in Zagreb (Introduction into thematic block in English) Tatjana Jukić (University of Zagreb) and Sven Cvek (University of Zagreb) |
71 |
| Fictional Self-Theorising across Literary History (Article in English, abstract in Croatian and English) Anja Müller-Wood (Johannes Gutenberg University of Mainz) |
73-90 |
| Dramatic Monologue and the Function of Criticism (Article in English, abstract in Croatian and English) Tatjana Jukić (University of Zagreb) |
91-107 |
| Revisiting Matthew Arnold’s Notion of Criticism (Article in English, abstract in Croatian and English) Borislav Knežević (University of Zagreb) |
109-136 |
| The Journey of McKay’s Proletarian Sonnet and Its Cultural Network: From New York via London and Vienna to Ljubljana (Article in English, abstract in Croatian and English) Lilijana Burcar (University of Ljubljana) |
137-168 |
| On the Post-Socialist Utopianism of Liu Cixin (Article in English, abstract in Croatian and English) Sven Cvek (University of Zagreb) |
168-187 |
| In memoriam: Willem G. Weststeijn (1943–2026) (In Croatian) Josip Užarević (Sveučilište u Zagrebu) |
189-194 |
