Simbolika apokalipse kao figuracija trauma i dio antiratnog angažmana na primjerima hrvatskog romana XXI. stoljeća
Kornelija Kuvač (Sveučilište u Zadru) |
1-26. |
Joseph Roth kao novinar i novelist u Berlinu između dvaju svjetskih ratova. “Berlinska slikovnica”
(“Berliner Bilderbuch”) (1926) i Bogata kuća preko puta (Das reiche Haus gegenüber) (1928)
Christine Magerski (Sveučilište u Zagrebu) |
27-50. |
An “Obligation to Duty”: Seamus Heaney and Field Day
Aidan O’Malley (University of Rijeka) |
51-70. |
Tematski blok: Ninety Years of Anglo-American Literary Studies in Zagreb
Tatjana Jukić (Sveučilište u Zagrebu) i Sven Cvek (Sveučilište u Zagrebu) |
71 |
Fictional Self-Theorising across Literary History
Anja Müller-Wood (Johannes Gutenberg University of Mainz) |
73-90. |
Dramatic Monologue and the Function of Criticism
Tatjana Jukić (University of Zagreb) |
91-107. |
Revisiting Matthew Arnold’s Notion of Criticism
Borislav Knežević (University of Zagreb) |
109-136. |
The Journey of McKay’s Proletarian Sonnet and Its Cultural Network: From New York via London and Vienna to Ljubljana
Lilijana Burcar (University of Ljubljana) |
137-168. |
On the Post-Socialist Utopianism of Liu Cixin
Sven Cvek (University of Zagreb) |
168-187. |
In memoriam: Willem G. Weststeijn (1943–2026)
Josip Užarević (Sveučilište u Zagrebu) |
189-194. |
